What I Like In Art. 08/14/14
like intensity and genius, not genres. Not bluesy, but Billie Holiday. Not jazzy, but Thelonius Monk, Roland Kirk, John Coltrane
etc. Better yet, the best of Jelly Roll Morton. Duke Ellington is even a bit too polished for my taste at times. I like raw,
primitive, like he great Leadbelly, or civilized but ecstatic, Bach's Unaccompanied Cello Suites, purity of joy, sadness,
whatever from the heart, gut and soul. The galloping canons of Moondog. Not merely musical or from a Musical. Savage like
original African drum music. Filled with life, sexy, down and dirty joyous, like "My Dingaling" by Chuck Berry,
the phosphorescent incandescence of Janis Joplin, and so on. The incredible purity of Classical Japanese Shakuhachi wooden
flute music. The plaint of geese flying across a marsh on a foggy estuary early morning, the keening nostalgia of all our
losses in and/or of any long gone Autumn. The whine of the Sitar and the Veena, drowsy dusty medieval meditations in the noonday
heat of a mud hut. Not Ravi Shankar, too soft and sentimental, but the sinewy strenghth and tenderness of David Oistrach on
the violin. Usted Bismillah Khan on the Shehnai. When I reported this last preference to an Indian gentleman some years ago
he said, "But Brian, he is one of the most famous musicians in all of India."
I have recently bought a 3 CD set of Jewish Klezmer musicians from the 1st half of the last century. Jews who carried
the gypsy music from Eastern Europe, the rhythms of Israel, combined with the Jazz they heard here in the USA. Only one artist
stood out to me, Naftule Brandewein. I now also have an entire CD of him, which I loaned to a young client, (as a child he
was a bit of a musical prodigy). He said to me, with astonishment, "His music is boundless." I said yes, "Infinite
liquid fire." It turns out he is the one recognized by all in that field as a genius. He could not read or write music,
was a paranoid crazed drinker and womanizer. Exactly my kind of guy. Though if you have austere monkish clarity in your work,
that's OK too.
I see in writing this, it is not only intensity, but also
extremes. I like the intensity of authentic emotional extremes, or the expression of profound feeling states in pure forms,
and genius forms. The later Turner. Francis Bacon, the Expressionists. The Academy holds little of worth for me. I love the
German Expressionists, except one, whose name is Ernst Barlach. His work was too blunted by technical accomplishment, weak
compared to the others. Later I found out they were all self-taught, except for him. He went to art school! Diluted I guess
would be the word. Here is a prose/poem, or whatever, containing the verbal equivalent of an objet trouve, which I have been
wanting to write, and this current of thought has given me the chance.
The Man In The Movie.
"I saw a man in a movie last week, shown by a group
of European Doctors,
who were documenting
He had been healed of the stomach cancer that grew inside
after his return home from the Second World War.
A simple uneducated man, with the demeanor of a clerical,
factory or farm worker.
He explained slowly,
thoughtfully, eyes dulled in recall, his mien somber,
something like this -
"I was sick.. when I came back from the war...
We were all sick when we came home from the war...
We had to shoot at people and try to kill them,
That's.. not normal.
We had to because.. they would shoot at us,
..and try to kill us.
that's.. not normal....
Every day, our lives were hanging by a thread.
That's.. not normal.
Every day we lived with one foot in the grave.
..And that's not normal....
We were all sick.. when we came
home from the war."
Then, returning to speak of his healing and current life,
he lit up, with an inner radiant
Totally present in his present, dazzling illumination
from the grateful joy of his surviving
I was stunned, staggered,
flabbergasted. The purity of his profundity,
simple power and dignity of his rhythmic truth,
And watching.. I thought to myself,
"Here is a man, a person, a human being, deserving
of my highest respect,
for his breadth, his
depth, his stature as a witness,
to all he has lived
to all he has lived and been.”
I would prefer the words of this man to the most polished
effusions of any poet,
that do not touch my
heart, or move my soul.
c. Brian Green Los Angeles 08/2014